AdHoc Issue 19 is here! Download a PDF of the zine at this link, and look out for physical copies both at our shows and at record stores, bookstores, coffee shops, and community centers throughout the city. (Those of you outside New York City can order a copy as well.)
In this issue, we explore music as a social act. Speaking to Emilie Friedlander, Pharmakon’s Margaret Chardiet explains the importance of audience engagement in her live shows, and how that sensibility informed her new record, Contact. Cleo Tucker and Harmony Tividad of Girlpool—who also have a new record, Powerplant, in the works—unpack the role of person-to-person connectivity in their music. In conversation with Hand Habits’ Meg Duffy, they discuss their closeness as an artistic and social unit, and how introducing new people into the Girlpool live band was almost as tricky as opening up a romantic relationship. Both Pharmakon and Girlpool articulate reasons for making art that move beyond personal expression or gratification, and into something more inclusive.
AdHoc Issue 19’s contributors:
Girlpool is a Los Angeles-based band whose founding members, Cleo Tucker and Harmony Tividad, made the collage that appears on this issue’s cover.
Meg Duffy is a Los Angeles-based musician who performs under the name Hand Habits; her album, Wildly Idle (Humble Before the Void), is out now via Woodsist. Meg interviewed Cleo and Harmony for this issue.
Leesh Adamerovich is a Brooklyn-based illustrator who enjoys collaborating with musicians. Her work is influenced by ’70s music, animation, and quiet moments, and she made the illustrations for this issue.