How to Slip Away is a strange, sparse collection of music from Brooklyn-via-Vermont musician Zach Phillips. On “Fucking Up,” perhaps the track most emblematic of the delightful quirkiness of the record, Phillips enlists friend and one-time Jib Kidder collaborator Sean Schuster-Craig for a ditty whose rushed, atonal monophonic guitar does sound—after all—a little fucked up. Its an oddball assemblage of fucking up, replete with kinky chord stylings and abrupt starts, stops, and hiccups along its minute-and-a-half runtime. At points a polemic against everything from mosquitos to superheroes, a very brief history of fucking up, and an autobiography of Phillips’ experiences with fucking up, “Fucking Up” never really finds a center—or even a destination. Which is to say, it can’t stop fucking up. The off-kilter track, despite its falterings and bizarre structure, is wonderful, an addictive bright spot in Phillips’ goofy yet endearing How to Slip Away. If the goal was to make a bad song through confusion and profanity, Phillips and company fucked up big time.